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S
Soprano volume adjust. Soprano sings the highest, most important notes (the melody). Their notes are seen above the lyrics.
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A
Alto volume adjust. Alto is lower than soprano, on the staff above the lyrics. They sing a harmony that supports the soprano's melody, so their notes might not sound song-like by themselves.
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T
Tenor volume adjust. Tenor is higher than bass, on the staff below the lyrics. They sing a harmony that supports the soprano's melody, so their notes might not sound song-like by themselves.
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B
Bass volume adjust. Bass sings the lowest notes on the staff below the lyrics. Their notes provide a foundation for all the other parts.
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| Title: | Come, ye disconsolate |
| Text: | v.1-2 Thomas Moore, 1816, alt.; v.3 Thomas Hastings, 1831 |
| Tune: | CONSOLATOR |
| Music: | Samuel Webbe Sr., 1792 |
| Key: | C major |
| Meter: | 11.10.11.10 |
| Date Added: | 2021/05/15 |
| (PDF) | (PDF) |
(PDF)
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(Beta) The melody and chords of the leadsheet, with a ukulele fretboard diagram for each chord change. Standard GCEA tuning. Transposes with the arrows.
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(PDF)
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(Beta) Shapenotes mean that each pitch in "do, re, mi, fa, so, la, ti" get one of 7 shapes. This supplemental data may improve sight-reading over time.
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(PDF)
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(Beta) The older four-shape system of the Sacred Harp and Southern Harmony: "fa, sol, la" repeats for each tetrachord, with "mi" on the seventh. Minor tunes begin on la.
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(PDF)
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Clairnotes is easier than normal music, without any ♯ or ♭ signs or key signatures. Every pitch has its own vertical position. Click for more details.
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