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                      S
                      
                        Soprano volume adjust. Soprano sings the highest, most important notes (the melody). Their notes are seen above the lyrics.
                      
                     
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                        A
                        
                          Alto volume adjust. Alto is lower than soprano, on the staff above the lyrics. They sing a harmony that supports the soprano's melody, so their notes might not sound song-like by themselves.
                        
                       
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                      T
                      
                        Tenor volume adjust. Tenor is higher than bass, on the staff below the lyrics. They sing a harmony that supports the soprano's melody, so their notes might not sound song-like by themselves.
                      
                     
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                      B
                      
                        Bass volume adjust. Bass sings the lowest notes on the staff below the lyrics. Their notes provide a foundation for all the other parts.
                      
                     
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| Title: | O come, O come, Immanuel | 
| Text: | anon., O Antiphons, 8th-9th c.; Veni, veni Emmanuel, 12th c. tr. v.1-5 John M. Neale, 1851, alt.; v.6-7 Henry Sloane Coffin, 1916 | 
| Tune: | VENI EMMANUEL | 
| Music: | trope melody, 15th c. | 
| Key: | E minor | 
| Meter: | LM with refrain | 
| Date Added: | 2021/03/21 | 
| (PDF) | (PDF) | 
    (PDF)
        ( 
            ?
            (Beta) Shapenotes mean that each pitch in "do, re, mi, fa, so, la, ti" get one of 7 shapes. This supplemental data may improve sight-reading over time.
            
         )
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        (PDF)
        ( 
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            Clairnotes is easier than normal music, without any ♯ or ♭ signs or key signatures. Every pitch has its own vertical position. Click for more details.
            
         )
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